On Location: Water Protectors at Camp of the Sacred Stones - Standing Rock, ND

What is happening right now at Standing Rock is a crucial historical moment regarding frontline resistance by aboriginal peoples and their allies against extractive industry; these are people who have come to protect the water and environment on behalf of the planet and all human beings.

Last week I had the opportunity to travel to Standing Rock, North Dakota to deliver supplies from New Mexico to the water protectors currently on the front lines. Although my stay was very short with a specific trajectory of supply delivery, I took an afternoon to walk around Camp of the Sacred Stones and listen to story from folks who have joined in solidarity and support of this movement. I simply started walking through the camp, with no real proposed outcome, not looking for anyone in particular to speak with. But, wanting simply to engage with the human beings who had come, had made the journey to be here, and listen to why. I found myself engaged in conversation with many brilliant and activated protectors of water. Lakota peoples with ties to the very land the Dakota Access Pipeline is trying to penetrate and disrupt. A first hand account of the initial arrests that had recently occurred and which halted the construction, was also shared with me. I spoke with a Maori water protector, and I found myself engaged in deep conversation with a group of activated protectors from Hawai’i, who had come to stand strong with the movement in recognition of what the importance water or ‘wai' holds for all human beings. The conversations you will hear in this podcast episode are of a moment in time, an afternoon of story and reflection, and I hope they may give us a reminder of the power of collective consciousness. These conversations took place during the simple and powerful act of being present and speak to what is at the core of this fight; that water is life. 

Here are the conversations with Water Protectors at Sacred Stone Camp:

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Music featured on this episode by artists Ginger Dunnill and Trevor Hall

More about the Water Protectors movement and the Dakota Access Pipeline:

People from across all nations of turtle island and the globe have joined Standing Rock Sioux Tribe’s movement against a $3.8 billion four-state oil pipeline that if implemented will disturb sacred sites and impact drinking water for over 8,000 tribal members, not to mention the millions of people further downstream and which would pass through Iowa, Illinois, North Dakota and South Dakota. 

For several months, thousands of people have been taking part in peaceful resistance at the Camp of the Sacred Stones and the Red Warrior camp in North Dakota.

About 30 people have been arrested in recent weeks and direct action and non-violent resistance have successfully stopped construction to this point. A federal judge will rule by Sept. 9, 2016 on whether construction will be halted on the Dakota Access Pipeline.

More information and how to help:

standingrock.org

sacredstonecamp.org

Conversation with Curators/ Artists Tania Willard, Maria Hupfield and Tarah Hogue - #callresponse project finale at Grunt Gallery

Broken Boxes Podcast is proud to present the final episode in a series of interviews featuring participants and their respondents from the socially engaged project #callresponse. This episode was recorded live at grunt gallery in Vancouver, BC and features conversation and reflection with co-organizers Tarah Hogue, Maria Hupfield and Tania Willard along with respondents Cheryl L’Hirondelle and  IV Castellanos.

Here is the series finale of the #callresponse series:

Subscribe to Broken Boxes Podcast on iTunes HERE to stream and download this episode

Music featured on this episode: Original composition by Leela Gilday for Only Available Light by Tania Willard, Tania Tagaq, Ursula Johnson with Cease Wyss and Cassandra Smith, Alanis Obomsawin.

Catch up on the #callresponse interview series

Tania Willard, Maria Hupfield, IV Castellanos, Ginger Dunnill, Tarah Hogue, Cherylle L’Hirondelle viewing Tanya Tagaq's Retribution video. Vancouver, BC.

Tania Willard, Maria Hupfield, IV Castellanos, Ginger Dunnill, Tarah Hogue, Cherylle L’Hirondelle viewing Tanya Tagaq's Retribution video. Vancouver, BC.


About #callresponse:

Strategically centering Indigenous women as vital presences across multiple platforms, #callresponse is a multifaceted project which includes a website, social media platform, touring exhibition and catalogue. The project brings together five local art commissions by Indigenous women artists from across Canada, including Christi Belcourt, Maria Hupfield, Ursula Johnson, Tania Willard and Laakkuluk Williamson-Bathory. Each artist has invited a guest to respond to their work, including Isaac Murdoch, IV Castellanos and Esther Neff, Cheryl L’Hirondelle, Marcia Crosby and Tanya Tagaq.

#callresponse is co-organized by Tarah Hogue, Maria Hupfield and Tania Willard, and produced in partnership with grunt gallery and generously supported by the {Re}conciliation initiative of the Canada Council for the Arts, the J.W. McConnell Family Foundation and The Circle on Philanthropy and Aboriginal Peoples in Canada. Additional presentation partners include BUSH Gallery, Emily Carr University of Art + Design, FADO Performance Art Centre,Kamloops Art Gallery, OFFTA live art festival, the National Arts Centre, and the Native Education College.

decolonial toolbox with flags by participants at ECUAD from Feet On The Ground, by Esther Neff, IV Castellanos, and Maria Hupfield

decolonial toolbox with flags by participants at ECUAD from Feet On The Ground, by Esther Neff, IV Castellanos, and Maria Hupfield

CALL
To support the work of Indigenous North American women and artists through local art commissions that incite dialogue and catalyze action between individuals, communities, territories and institutions. To stand together across sovereign territories as accomplices in awakened solidarity with all our relations both human and non.

RESPONSE
To ground art in responsible action, value lived experience, and demonstrate ongoing commitment to accountability and community building. To respond to re/conciliation as a present day negotiation and the reconstruction of communities in the aftermath of colonial trauma. 

 

Ursula Johnson, Cease Wyss and Cassandra Smith #callresponse performance behind grunt gallery, Vancouver BC

Ursula Johnson, Cease Wyss and Cassandra Smith #callresponse performance behind grunt gallery, Vancouver BC

Tanya Tagaq and Lakkuluk Williamson Bathory #callresponse performance at the Native Education College Vancouver, BC.

Tanya Tagaq and Lakkuluk Williamson Bathory #callresponse performance at the Native Education College Vancouver, BC.

Find out more about #callresponse:

Curator/organizer Tarah Hogue at grunt gallery, Vancouver BC

Curator/organizer Tarah Hogue at grunt gallery, Vancouver BC

http://www.callresponseart.ca/
https://www.facebook.com/groups/callresponse/
https://twitter.com/callresponseus
https://www.instagram.com/callresponse/
http://www.brokenboxespodcast.com/
http://grunt.ca/exhibitions/callresponse/ 

 

Broken Boxes Podcast would like to thank the organizers, artists and respondents of #callresponse for the incredible opportunity to document the project through the podcast platform. Mahalo Nui Loa!

Conversation with Curator Tarah Hogue

Broken Boxes Podcast is proud to present this episode featuring curator Tarah Hogue as the tenth installation in a series of interviews featuring participants and their respondents from the socially engaged project #callresponse.  

In this episode Tarah Hogue speaks about her experience as co-organizer of #callresponse with Maria Hupfield and Tania Willard. She shares with us her path to the world of curation, her experiences working with grunt gallery, her views on reconciliation and the challenges and highlights of co-organizing the #callresponse project. Tarah also offers insight for those interested in curating, providing contemporary resource and sharing her favorite publications.

Music featured on this episode by Miss Christie Lee, Mob Bounce, JB the First LadyCris Derksen

More about the curator:

Tarah Hogue is the 2016 Audain Aboriginal Curatorial Fellow with the Art Gallery of Greater Victoria, and Curator at grunt gallery in Vancouver. Her work with Indigenous People in Canada aims to decenter institutional space and history. Using collaborative methodologies and a careful attentiveness to place, she prioritizes responsible research methodologies of Indigenous knowledge that are grounded in the intersectional practices of Indigenous feminisms, re/conciliation, and cultural resurgence.

Tarah Hogue is Métis/French Canadian and of Dutch Canadian ancestry, she grew up in Red Deer Alberta, on the border between Treaty 6 and 7 along the original trading route of the Métis. She identifies as an uninvited guest on the unceded Coast Salish territories of Vancouver BC where she has lived since 2008.

Recent curatorial projects include #callresponse, a series of local art commissions centering Indigenous women and artists accompanied by a touring exhibition with guest respondents at grunt gallery, co-organized with Maria Hupfield and Tania Willard;Unsettled Sites, a group show on haunting settler colonialism at SFU Gallery; and Cutting Copper: Indigenous Resurgent Practice, a collaboration between grunt gallery and the Morris and Helen Belkin Art Gallery UBC, co-organizer Shelly Rosenblum. The symposium brought together live performance art with a panel of Indigenous theorists and curators around the exhibition Lalakenis/All Directions: A Journey of Truth and Unity by Kwakwaka’wakw artist Beau Dick. Previous exhibits featured the work of residential school survivors in Canada and their descendants, including NET-ETH: Going Out of the Darkness, co-curated with Rose M. Spahan, Malaspina Printmakers; and Witnesses: Art and Canada's Indian Residential Schools, at the Morris and Helen Belkin Art Gallery, co-curated by Geoffrey Carr, Dana Claxton, Tarah Hogue, Shelly Rosenblum, Charlotte Townsend-Gault and Keith Wallace. She also curated No Windows, Satellite Gallery;Facing the Animal, Or Gallery; and is co-founder and curator of Gam Gallery with Julia Kreutz, an exhibition space and artist studio located in Vancouver’s Downtown Eastside. Hogue is writer-in-residence for thirstDays with VIVO Media Arts, and has written forBlackFlash Magazine (forthcoming) Canadian Art, Decoy Magazine, Inuit Art Quarterly, and MICE Magazine. She holds an MA in Art History, Critical and Curatorial Studies from the University of British Columbia and a BA(H) in Art History from Queen’s University.


#callresponse Project Details:

Strategically centering Indigenous women as vital presences across multiple platforms, #callresponse is a multifaceted project which includes a website, social media platform, touring exhibition and catalogue. The project brings together five local art commissions by Indigenous women artists from across Canada, including Christi Belcourt, Maria Hupfield, Ursula Johnson, Tania Willard and Laakkuluk Williamson-Bathory. Each artist has invited a guest to respond to their work, including Isaac Murdoch, IV Castellanos and Esther Neff, Cheryl L’Hirondelle, Marcia Crosby and Tanya Tagaq.

#callresponse is co-organized by Tarah Hogue, Maria Hupfield and Tania Willard, and produced in partnership with grunt gallery and generously supported by the {Re}conciliation initiative of the Canada Council for the Arts, the J.W. McConnell Family Foundation and The Circle on Philanthropy and Aboriginal Peoples in Canada. Additional presentation partners include BUSH Gallery, Emily Carr University of Art + Design, FADO Performance Art Centre, Kamloops Art Gallery, OFFTA live art festival, the National Arts Centre, and the Native Education College.

Stay connected with the #callresponse project:

Conversation with Artists and Land Defenders Christi Belcourt and Isaac Murdoch

Broken Boxes Podcast is proud to present this episode featuring Christi Belcourt and Isaac Murdoch as the 9th installation in a series of interviews featuring participants and their respondents from the socially engaged project #callresponse.  

For the #callresponse project Christi Belcourt works with traditional teacher and collaborator Isaac Murdoch to hold ceremony with plants and animals as her community with The Onaman Collective. Just as the natural world is depicted symbolically as medicine in her work through the act of painting she aims to take action in an effort to restore balance as a human being amongst many living beings. Her project stems from the believe that we as people are not ready for reconciliation. She does not consider the first step towards reconciliation as starting between native and non-­natives but rather as something that needs to take place between humans and the plants and animals. Pronounced ah­nah­min, The Onaman Collective was formed in 2014 by Isaac Murdoch, Christi Belcourt and Erin Konsmo out of their deep care for youth and the future of community. The collective was formed for the express purpose of finding ways to connect youth to land, traditional knowledge, language and Elders through art and land­based activities. 

"All I want to do is give everything I have, my energy, my love, my labour – all of it in gratitude for what we are given. I’ll never be able to give back enough. My love for this world overwhelms me. My love for this world, and my love for everyone and everything is what drives me." -Christi Belcourt

Here is the conversation with Christi Belcourt & Isaac Murdoch:

Subscribe to Broken Boxes Podcast on iTunes HERE to stream and download this episode

Music featured in this episode by Ziibiwan

"We need a Revolution. We need something different. We need a new beginning. And we need it right now. We can’t wait...I believe thousands of years from now they are going to look back at this time in history that the two leggeds tried to destroy the earth. They’re gonna be telling the sacred story that we are in now. I believe that we are in a legend, a sacred story that will be told thousands of years from now. And knowing that, I believe that right now is the opportunity to create the next part of the story. And we have options. We could be extras in this story, that just sit on the fence and do nothing. Or we could be evil villains. Or we can be heroes. And I believe right now is the opportunity for indigenous peoples and all races to come together to save this planet.” -Isaac Murdoch


Buffalo Robe with water beings. Christi Belcourt and Isaac Murdoch for #callresponse 2016

Buffalo Robe with water beings. Christi Belcourt and Isaac Murdoch for #callresponse 2016

More about the artists:

Christi Belcourt (b. 1966) is a Michif (Metis) visual artist and author whose ancestry originates from the Metis historic community of Manitou Sakhigan (Lac Ste. Anne) Alberta, Canada. Raised in Ontario, Christi is the first of three children born to political Indigenous rights leader Tony Belcourt and Judith Pierce Martin. Her brother Shane Belcourt is a respected filmmaker and her sister Suzanne is a graphic designer and emerging visual artist. Christi Belcourt is the author of Medicines To Help Us (Gabriel Dumont Institute, 2007) and Beadwork (Ningwakwe Learning Press, 2010), Christi’s work is found within the permanent collections of the National Gallery of Canada, the Art Gallery of Ontario, Gabriel Dumont Institute, the Indian and Inuit Art Collection, Parliament Hill, the Thunder Bay Art Gallery and Canadian Museum of Civilization, First People’s Hall. Christi is a past recipient of awards from the Canada Council for the Arts, the Ontario Arts Council, the Chalmers Family Fund and the Métis Nation of Ontario. In 2014 she was named Aboriginal Arts Laureate by the Ontario Arts Council and shortlisted for the Premier’s Award. She is currently the lead coordinator for lking With Our Sisters. 

Visit Christi Belcourt's Website


 Isaac Murdoch , whose Ojibway name is Manzinapkinegego’anaabe / Bombgiizhik is from the fish clan and is from Serpent River First Nation. Isaac grew up in the traditional setting of hunting, fishing and trapping. Many of these years were spent learning from Elders in the northern regions of Alberta, Saskatchewan and Manitoba. Isaac is well respected as a storyteller and traditional knowledge holder. For many years he has led various workshops and cultural camps that focuses on the transfer of knowledge to youth. Other areas of expertise include: traditional ojibway paint, imagery/symbolism, harvesting, medicine walks, & ceremonial knowledge, cultural camps, Anishinaabeg oral history, birch bark canoe making, birch bark scrolls, Youth & Elders workshops, etc. He has committed his life to the preservation of Anishinaabe cultural practices and has spent years learning directly from Elders.


#callresponse project details:

 

Strategically centering Indigenous women as vital presences across multiple platforms, #callresponse is a multifaceted project which includes a website, social media platform, touring exhibition and catalogue. The project brings together five local art commissions by Indigenous women artists from across Canada, including Christi Belcourt, Maria Hupfield, Ursula Johnson, Tania Willard and Laakkuluk Williamson-Bathory. Each artist has invited a guest to respond to their work, including Isaac Murdoch, IV Castellanos and Esther Neff, Cheryl L’Hirondelle, Marcia Crosby and Tanya Tagaq.

#callresponse is co-organized by Tarah Hogue, Maria Hupfield and Tania Willard, and produced in partnership with grunt gallery and generously supported by the {Re}conciliation initiative of the Canada Council for the Arts, the J.W. McConnell Family Foundation and The Circle on Philanthropy and Aboriginal Peoples in Canada. Additional presentation partners include BUSH Gallery, Emily Carr University of Art + Design, FADO Performance Art Centre, Kamloops Art Gallery, OFFTA live art festival, the National Arts Centre, and the Native Education College.

Conversation with Writer Marcia Crosby

**It is recommended to listen to this episode in direct relationship with Episode 50 featuring Tania Willard.**

Broken Boxes Podcast is proud to present this episode featuring Marcia Crosby, Tsimshian-Haida writer, art historian, and educator from British Columbia and respondent for Tania Willard. This is the 8th installation in a series of interviews featuring participants and their respondents from the socially engaged project #callresponse

Here is the conversation with Marcia Crosby:

Subscribe to Broken Boxes Podcast on iTunes HERE to stream and download this episode

Music featured in this episode by Laura Ortman

More about the artist:

Marcia Crosby is Tsimshian-Haida writer, art historian, and educator from British Columbia. 

Marcia Crosby is Tsimshian-Haida writer, art historian, and educator from British Columbia. 

“I can hardly speak your words because I think you might not forgive me for telling the story you wanted kept a secret. Yes, some of our leaders, some of our old people and others on our communities want us to be quiet about life on our social and geographical reserves. They want us to be silent and if we are not we are not family. But your silence deadened me gram. This is about love and anger. This is about sadness and joy. About strength and total collapse of the spirit." -Marcia Crosby

This quotation included in “The Implication of Restorative Justice for Aboriginal Women” is reinforcement for how dedicated Crosby is in making works that offers a spirit, honor and resistance. (sourced from wikipedia)

#callresponse project details:

Strategically centering Indigenous women as vital presences across multiple platforms, #callresponse is a multifaceted project which includes a website, social media platform, touring exhibition and catalogue. The project brings together five local art commissions by Indigenous women artists from across Canada, including Christi Belcourt, Maria Hupfield, Ursula Johnson, Tania Willard and Laakkuluk Williamson-Bathory. Each artist has invited a guest to respond to their work, including Isaac Murdoch, IV Castellanos and Esther Neff, Cheryl L’Hirondelle, Marcia Crosby and Tanya Tagaq.

#callresponse is co-organized by Tarah Hogue, Maria Hupfield and Tania Willard, and produced in partnership with grunt gallery and generously supported by the {Re}conciliation initiative of the Canada Council for the Arts, the J.W. McConnell Family Foundation and The Circle on Philanthropy and Aboriginal Peoples in Canada. Additional presentation partners include BUSH Gallery, Emily Carr University of Art + Design, FADO Performance Art Centre, Kamloops Art Gallery, OFFTA live art festival, the National Arts Centre, and the Native Education College.