Conversation with 2018 R.I.S.E. Fellowship recipients Katherine Paul, Whess Harman and fabian romero

R.I.S.E. congratulates the phenomenal and empowering work of the R.I.S.E. Artist + Poet 2018 Fellowship Recipients. 

R.I.S.E.+Fellowship+awardees+triptic+copy.jpg

In this episode BBP sits down with R.I.S.E. founder/director Demian DinéYazhi´ to find out exactly what is was like to launch  R.I.S.E. Fellowship, the first of its kind, which centers Indigenous Queer, Gender Gradient/Non-Conforming, Trans, and/or Two Spirit artists and poets. We talk about the many reasons for creating this fellowship through R.I.S.E. and go into the process of putting out the call, reviewing applicants, and creating long term community relationships with all artists and poets who applied, including but not limited to the recipients. We also get into conversation with R.I.S.E. Fellowship lead recipient artist Katherine Paul / Black Belt Eagle Scout (Swinomish Indian Tribal Community / Iñupiat NANA Shareholder), and additional R.I.S.E. Fellowship recipients Whess Harman (Lake Babine Nation) and fabian romero (Purepecha) who all share about their practices and explain what it means to them to have been selected as a 2018 R.I.S.E. Fellow.

Here is the conversation with R.I.S.E founder/director Demian DinéYazhi´, and 2018 fellows Katherine Paul, Whess Harman and fabian romero

This conversation was hosted by Ginger Dunnill of Broken Boxes Podcast


More about R.I.S.E.: Radical Indigenous Survivance & Empowerment and the 2018 R.I.S.E. Fellowship:

R.I.S.E.: Radical Indigenous Survivance & Empowerment is an Indigenous led artist/activist initiative amplifying Indigenous Queer, Trans, Gender Non-Conforming/Gradient, Two-Spirit, and Matriarchal voices that challenge and actively decolonize heteropatriarchal and settler colonial sociopolitical structures.

For its inaugural fellowship, R.I.S.E. is honored to celebrate the critical work of three Indigenous Queer, Gender Gradient/Non-Conforming, Trans, and/or Two-Spirit artists. The award of a $1,000 unrestricted Artist Fellowship is presented to R.I.S.E. Fellowship lead recipient artist Katherine Paul / Black Belt Eagle Scout (Swinomish Indian Tribal Community / Iñupiat NANA Shareholder), and thanks to a generous donation, R.I.S.E. is also able to offer two additional $500 fellowships recognizing the invaluable work of Whess Harman (Lake Babine Nation) and fabian romero (Purepecha).

This year, our artistic panel of three Indigenous artists and organizers gathered to carefully select the 2018 Fellows, facilitated by R.I.S.E. founder/director Demian DinéYazhi´: Hank Cooper (Arts Program Manager at Daybreak Star Indian Cultural Center), Kevin Holden (artist and co-director of LOCUSTS zine), and Ginger Dunnill (founder of Broken Boxes Podcast, founding member of Winter Count Collective, and Indigenous Goddess Gang and Dear Patriarchy contributor).

On behalf of the judges, R.I.S.E. congratulates the rigorous, crucial, and compelling work of the R.I.S.E. Fellowship Recipients who exemplified all the criteria and objectives highlighted in the Fellowship. R.I.S.E. would like to thank the all the applicants who applied to this year's Fellowship and additionally honor all the time and energy put into their application, but more importantly the passion and dedication each artist and poet brings to their art and community. We would like to also address three honorable mentions for this year's cycle: Cleo Keahna (White Earth Ojibwe, Meskwaki, Blackfeet, Sioux), AuMAR (Edo (Nigeria) & Bassa (Cameroun)), and Dåkot-ta Alcantara-Camacho (Matao). We encourage all applicants to apply to next year's Fellowship and invite you to join us in celebrating this year's Fellows and the numerous applicants whose work is equally empowering and of critical importance! 


2018 R.I.S.E. FELLOWS

 

R.I.S.E. Fellowship Lead Recipient Artist:
Katherine Paul/Black Belt Eagle Scout

Black Belt Eagle Scout/ Katherine Paul Image credit: Indira Valey, Tender Heart Productions

Black Belt Eagle Scout/ Katherine Paul Image credit: Indira Valey, Tender Heart Productions

Having this identity—radical indigenous queer feminist—keeps me going. My music and my identity come from the same foundation of being a Native woman.


R.I.S.E. Fellowship Additional Recipient Artists:
Whess Harman and fabian romero

 

Whess Harman

Photo credit: Bailee Johnson

Photo credit: Bailee Johnson

Whess Harman is a mixed-race, trans/non-binary artist, born in prince rupert, BC in 1990 and is a member of the Lake Babine Nation. Their work uses multi-media strategies in print, text and illustration to address issues of representation and memory. Whess completed a BFA at emily carr university in 2014 and have attended residencies at the banff art centre and the plug-in institute of contemporary art.

Warning Whess Harman, 2016

Warning Whess Harman, 2016

2016+potlatchpunk.jpg

fabian romero

Photo credit: Eric Morales

Photo credit: Eric Morales

fabian romero (Purepécha) is a two-spirit poet, filmmaker, artist and P.h.D. student in Gender, Women & Sexuality Studies at the University of Washington. fabian’s academic and artistic interests integrate settler colonialism, performance, Latin American, race and gender studies with storytelling and poetry. Public Scholarship and Chicana studies also inform their work. Their work centers Purépecha people from Michoacán, Mexico to Seattle, Washington and beyond.

My performance art, poetry and experimental film/digital poetry engages the topics of race, indigeneity, gender, sexuality, nationalism, and borders. I am interested in creating work that speaks back to the archive- a western concept of legitimate knowledge and something constructed from the destruction of many Native peoples teachings. In an attempt to disrupt the normalization of settler colonialism I write about the experiences and stories that exist outside of the imaginary of the settler such as the reality that urban and Native people in diaspora exist. My work refuses to forget the circumstances that brought us to the ahistorical settler present that treats the past is a blank slate to be rewritten and retold to benefit the settler.

 fabianromero.com

Reminders Words by Fabian Romero, Illustration by TextaQueen 2013

Reminders Words by Fabian Romero, Illustration by TextaQueen 2013


R.I.S.E. Fellowship Applicant Honorable Mentions:

AuMAR -Edo (Nigeria) & Bassa (Cameroun)
Cleo Keahna -White Earth Ojibwe, Meskwaki, Blackfeet, Sioux
Dåkot-ta Alcantara-Camacho -Matao

Conversation with Artist Patricia Vázquez Gómez

In this episode we speak to multi-disciplinary and social practice artist Patricia Vázquez Gómez. Patricia breaks down how she uses art as a tool for investigation and to create situations which uncover tensions between visibility and invisibility. She reflects on her relationships with various resistance movements in Mexico and how she strives to remain accountable as she walks into a movement or resistance situation as an artist, navigating the work and privilege of the role in artist as 'activist'. Patricia also touches on her relationship to her queer identity, indigenous sexuality, along with the the importance of artists ethics, political awareness, and how critical it is to be accountable to what is driving you as an artist.

Patricia Vázquez Gómez works and lives between Portland and Mexico City. Her practice includes a range of media, from painting and murals to video and socially engaged art projects, and it is deeply informed by her experiences working in the immigrant rights and other social justice movements in the US, and by the zapatismo and indigenous movements in Mexico, both in content and in the methodologies she uses.

This conversation was hosted by Ginger Dunnill of Broken Boxes Podcast

Shared Wisdom. Social Practice work of Patricia Vázquez Gómez

Shared Wisdom. Social Practice work of Patricia Vázquez Gómez

"I think that when we are doing work about other people's trauma, we have to be very careful about how we are doing that... I don't think we should not do the work, but I think there are ways in which we can do this type of work that is responsible and sensitive. I also believe that there are no formulas for doing any kind of work in the most perfect or ethical way, all we have is our values and our sense of what's responsible and what's respectful" -Patricia Vázquez Gómez

Conversation with Queer Nature founders Pınar Ateş Sinopoulos-Lloyd and So Sinopoulos-Lloyd

In this episode we get into conversation with Queer Nature founders. Queer Nature is a Colorado-based project that creates a decolonially-informed queer futurism through earth-based skills. Queer Nature envisions and implements ecological relationship as a vital and often overlooked part of the healing and wholing of populations who have been systemically silenced and marginalized, such as the LGBTQ2+ population, and especially trans and queer people of color and two-spirit folks. 

This conversation was hosted by Ginger Dunnill of Broken Boxes Podcast

Queer Nature founders Sophia ("So") Sinopoulos-Lloyd and Pınar Ateş Sinopoulos-Lloyd

Sophia ("So") Sinopoulos-Lloyd and Pınar Ateş Sinopoulos-Lloyd


More about Queer Nature:

Queer Nature bow drill workshop

Queer Nature bow drill workshop

Queer Nature is a Colorado-based project that creates a decolonially-informed queer futurism through earth-based skills. Queer Nature recognizes that many people, including LGBTQ2+ people and womxn, have historically not had easy access to the culture of outdoor recreation on Turtle Island. Pursuits like hunting, fishing, camping, and tactical or survival skills have been very difficult to access or relate to for anyone who didn't grow up hunting, in Boy Scouts, or in the military. Additionally, LGBTQ2+ community has historically formed in urban America—in places like bars and clubs—the wilderness has not necessarily been a welcoming place for us. To create a space for women and LGBTQ2+ people to access their natural human right to these skills is a revolutionary act in today's world. This program envisions and implements ecological relationship as a vital and often overlooked part of the healing and wholing of populations who have been systemically silenced and marginalized, such as the LGBTQ2+ population, and especially trans and queer people of color and two-spirit folks. Ecological literacy is deep relationship building with living and non-living earth systems through ancestral-futurist resilience skills including naturalist knowledge, so-called ‘survival’ skills, natural crafts, and local cultural/natural history.

Queer Nature Founders:

Pınar Ateş Sinopoulos-Lloyd

Pınar Ateş Sinopoulos-Lloyd

Pınar Ates Sinopoulos-Lloyd (they/them/theirs) has always been allured by how the natural world mirrors one’s internal landscape. Enchanted by the liminal, Pınar is a nonbinary QTPOC (Queer & Trans Person of Color) with Huanca, Turkish and Chinese lineages. They along with their spouse, So, co-founded Queer Nature, a project bringing earth-based queer community through ancestral skills, nature-connection and vision fast guiding. In addition to offering LGBTQ2+ specific programming, Pınar is a consultant, presenter and speaker at universities and conferences, program designer and facilitator in collaboration with non-profits and a canoe guide. As an indigenous nonbinary outdoor leader, their inspiration is envisioning decolonially-informed queer futurism through interspecies accountability and remediating the myth of human exceptionalism. As a survival skills instructor, one of their core missions is to uplift and amplify the brilliant “survival skills” that BIPOC, LGBTQ2+ and other intersectional oppressed populations already have in their resilient bodies and stories of survivance. Their relationship with queerness, neurodivergence, indigeneity and belonging guided their work in developing Queer Ecopsychology through studies at Prescott College, Wilderness Awareness School, School of Lost Borders, Animas Valley Institute, Naropa University and Esalen Institute. Their undergraduate work was in applied ecopsychology with a somatic and depth approach through a decolonial and queer lens. Currently enrolled at the University of Vermont, they are working on their degree in Master of Science in Natural Resources with a Concentration in Leadership for Sustainability. 

Sophia ("So") Sinopoulos-Lloyd

Sophia ("So") Sinopoulos-Lloyd

Sophia ("So") Sinopoulos-Lloyd is a queer Greek-American who grew up in the northern hardwood forests of central Vermont. So’s initiation to the transformative power of the natural world came when they went on a summer backpacking intensive at age 16, and later continued when they worked as a seasonal shepherd and cheese-making assistant throughout college and sheep began to teach them new things about belonging, awareness, and community. Inspired by the resilience and hardiness of these beings, So went on to do immersive studies in ancestral earth-based skills and natural science, and also completed an MA that focused on relationships between religion and ecology in the Eastern Mediterranean. Much of So's work is animated by a study of how personhood and a sense of belonging are interwoven with geography and can be further informed by intimate knowledge of place through naturalist study. Along with their spouse Pinar, So develops and runs LGBTQ2+ nature-based programming for Women’s Wilderness in Colorado. Pinar and So’s organization, Queer Nature, is devoted to creating empowering and accessible spaces where LGBTQ2+, non-binary, and two-spirit people can learn various ancestral earth-based skills. Some things that So is most passionate about teaching and learning are survival skills, wildlife tracking, and wilderness emergency medicine. So still hopes to one day be as cool and skilled as sheep are.

FieldGuide.jpg

Conversation with Artist and Organizer Sharita Towne

In this episode we get into conversation with Portland based multi-disciplinary artist, educator and community organizer Sharita Towne. We talk art, ancestry, process, gentrification, accountability and much more. 

Subscribe to Broken Boxes Podcast on iTunes HERE to stream and download this episode

Music featured on this episode by Brown Calculus

More about the artist:

Sharita2.jpg

As an artist, Sharita Towne’s interests lie in unpacking the inherited struggles of past burdens and in affording collective catharsis. Through collaboration, stereo-photography, printmaking, video, and community art projects; she's worked at memorials in Germany; in the Sahrawi refugee camps in Algeria; Brazil; in gentrifying cities like Portland, Oregon and New Orleans; in schools, museums, and neighborhoods, and within her own family. Sharita received a BFA from UC Berkeley and an MFA from Portland State University. She currently teaches at Pacific Northwest College of Art, works in the DIY printmaking and audiovisual collective URe:AD Press (United Re:Public of the African Diaspora), the post-colonial conceptual karaoke band Weird Allan Kaprow, and is a 2016 Art Matters grant recipient. 

This conversation was hosted by Ginger Dunnill of Broken Boxes Podcast

Sharita Towne.jpg

Conversation with Curator and Writer bart fitzgerald

In this episode we speak with Queer artist/curator/writer/lecturer bart fitzgerald. The work of fitzgerald seeks to situate Trap Music within conversations around the longstanding tradition of sound in the black radical tradition. They discuss their practice and the relationship it has to Trap Music and we hear a bit on their theory around Trap Music including its sonic histories, relation to the black church and spirituality, and Trap's postmodern aesthetic practices. 

Here is the conversation with bart fitzgerald

Subscribe to Broken Boxes Podcast on iTunes HERE to stream and download this episode

This conversation was hosted by Ginger Dunnill of Broken Boxes Podcast

More about the artist:

bart_fitzgerald_featured_image.jpg

bart fitzgerald’s work explores black sociality, religion and queerness through a lens of liberation theology as base ideology for radical living. they make work as an visual artist, writer, lecturer and curator of vibrant life for black folks in Portland, OR. Their work has been presented at Reed College, Newspace Center for Photography, Portland African American Leadership Forum, Black Lives Matter: Portland and The Portland Institute for Contemporary Art (PICA). They have received commissions and funding from c3:initiative, The Regional Arts & Culture Council, The Urban League of Portland, and numerous local and national organizations. Most recently, they were selected as a recipient of the Ford Family Foundation’s Golden Spot Award that is granted in connection with an artist residency at Caldera Arts Center in Sisters, OR.
-Source: PICA